{"id":455,"date":"2026-08-06T18:07:59","date_gmt":"2026-08-06T21:07:59","guid":{"rendered":"https:\/\/amaliaperez.com.ar\/?page_id=455"},"modified":"2026-08-29T19:20:52","modified_gmt":"2026-08-29T22:20:52","slug":"home-2","status":"publish","type":"page","link":"https:\/\/amaliaperez.com.ar\/en\/","title":{"rendered":"Home"},"content":{"rendered":"[vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”none” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” bg_color=”#fffcf5″ scene_position=”center” text_color=”custom” custom_text_color=”#fffcf5″ text_align=”center” row_border_radius=”none” row_border_radius_applies=”bg” id=”hero-contain-img” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”629″ animation=”None” hover_animation=”none” alignment=”center” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”200%” el_class=”hero-img”][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” column_margin=”none” equal_height=”yes” content_placement=”middle” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” bg_color=”#fffcf5″ bg_image=”636″ background_image_mobile_hidden=”true” bg_position=”right top” background_image_loading=”default” bg_repeat=”no-repeat” full_height=”yes” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” id=”hero” overlay_strength=”0.3″ gradient_direction=”left_to_right” enable_shape_divider=”true” shape_divider_color=”#ffffff” shape_divider_position=”bottom” shape_divider_height=”12%” bg_image_animation=”none” shape_type=”straight_section”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”top” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-6″][vc_column_text el_class=”hero-titulo”]\n

Amalia
\nP\u00e9rez<\/strong><\/h1>\n[\/vc_column_text][vc_row_inner equal_height=”yes” content_placement=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” el_class=”btnes-hero” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” bg_image_animation=”none” enable_animation=”true” animation=”fade-in” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_hidden-xs”][nectar_btn size=”small” button_style=”regular” button_color_2=”Accent-Color” icon_family=”none” button_id=”btn-principal” text=”Listen”][nectar_btn size=”small” button_style=”regular” button_color_2=”Accent-Color” icon_family=”none” button_id=”btn-secundario” text=”About Amalia”][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” column_margin=”none” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” bg_color=”#fffcf5″ scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” id=”bio” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”64″ custom_height_tablet=”64″][vc_column_text el_class=”titulo-seccion”]\n

Bio<\/h2>\n[\/vc_column_text][vc_column_text]Amalia P\u00e9rez was born in Buenos Aires. Amalia P\u00e9rez carries out an intense activity as a soloist, as well as a chamber musician and a teacher. Currently, she is the principal flute of the Argentine National Symphony Orchestra.<\/p>\n

As a soloist, she has performed alongside the Argentine National Symphony Orchestra, the Mar del Plata Symphony Orchestra, and the Sinfonieorchester Basel, among others. She has also performed under the direction of prominent figures, such as, Kurt Massur, Krzystof Penderecki, and Heinz Holliger.<\/p>\n

She obtained first prizes in the \u201cXXVI Concurso Est\u00edmulo para J\u00f3venes Concertistas\u201d (Argentina) and the \u201c35\u00e8me Concours National d\u2019Ex\u00e9cution Musicale\u201d (Switzerland).
\nShe was awarded scholarships by renowned institutions, such as, Mozarteum Argentino (Argentina), Festival Campos do Jord\u00e3o (Brazil), Lyra Stiftung, Cantilena Stiftung and Louis Brodsky Stiftung (Switzerland).<\/p>\n

Amalia P\u00e9rez studied in Argentina under Fernando Quiroga and Patricia Da Dalt,
\nIn 2009, she traveled to Basel after being accepted by the Musik-Akademie Basel, Hochschule f\u00fcr Musik (Switzerland), where she studied under Kiyoshi Kasai and Felix Renggli. After she obtained her bachelor\u2019s degree, she graduated with distinction as a Master of Arts in Performance and as a Master of Arts in Specialised Music Performance \u2013 Solo Performance Major.[\/vc_column_text][divider line_type=”No Line” custom_height=”64″ custom_height_tablet=”32″][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” bg_color=”#e84c2b” scene_position=”center” text_color=”custom” custom_text_color=”#ffffff” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” id=”repertorio” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”64″ custom_height_tablet=”64″][vc_row_inner column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” top_margin=”0″ bottom_margin=”0″ column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text el_class=”titulo-seccion”]\n

Repertoire<\/h2>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][tabbed_section style=”minimal” alignment=”center” spacing=”side-15px” tab_color=”Accent-Color” cta_button_style=”accent-color” icon_size=”24″][tab icon_family=”none” title=”Flute and orchestra” id=”1787958887585-7″ tab_id=”1787958887585-2″ el_class=”tab-repertorio”][divider line_type=”No Line” custom_height=”30″][vc_row_inner column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” text_align=”left” class=”repertorio-margin”][vc_column_inner column_padding=”padding-10-percent” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”left” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” el_class=”col-izquierda” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text el_class=”titulo-1″]\n

Bach, C. P. E.<\/strong><\/h5>\n[\/vc_column_text][vc_column_text el_class=”repertorio-obra”]\n
Concertos<\/em><\/h5>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-10-percent” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”left” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” el_class=”col-derecha” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text el_class=”titulo-1″]\n
Bach, J. S.<\/strong><\/h5>\n[\/vc_column_text][vc_column_text el_class=”repertorio-obra”]\n
Suite in B minor<\/em><\/h5>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” text_align=”left” class=”repertorio-margin”][vc_column_inner column_padding=”padding-10-percent” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”left” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” el_class=”col-izquierda” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text el_class=”titulo-1″]\n
Bloch, E.<\/strong><\/h5>\n[\/vc_column_text][vc_column_text el_class=”repertorio-obra”]\n
Suite Modale<\/em><\/h5>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-10-percent” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”left” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” el_class=”col-derecha” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text el_class=”titulo-1″]\n
Borne, F.<\/strong><\/h5>\n[\/vc_column_text][vc_column_text el_class=”repertorio-obra”]\n
Fantasie brillante sur \u201cCarmen\u201c<\/em><\/h5>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” text_align=”left” class=”repertorio-margin”][vc_column_inner column_padding=”padding-10-percent” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”left” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” el_class=”col-izquierda” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text el_class=”titulo-1″]\n
Chaminade, C.<\/strong><\/h5>\n[\/vc_column_text][vc_column_text el_class=”repertorio-obra”]\n
Concertino<\/em><\/h5>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-10-percent” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”left” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” el_class=”col-derecha” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text el_class=”titulo-1″]\n
Devienne, F.<\/strong><\/h5>\n[\/vc_column_text][vc_column_text el_class=”repertorio-obra”]\n
Concerto No. 2 in D Major<\/em><\/h5>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” text_align=”left” class=”repertorio-margin”][vc_column_inner column_padding=”padding-10-percent” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”left” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” el_class=”col-izquierda” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text el_class=”titulo-1″]\n
Ginastera, A.<\/strong><\/h5>\n[\/vc_column_text][vc_column_text el_class=”repertorio-obra”]\n
Impresiones de la Puna<\/em><\/h5>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-10-percent” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”left” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” el_class=”col-derecha” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text el_class=”titulo-1″]\n
Ibert, J.<\/strong><\/h5>\n[\/vc_column_text][vc_column_text el_class=”repertorio-obra”]\n
Concerto<\/em><\/h5>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” text_align=”left” class=”repertorio-margin”][vc_column_inner column_padding=”padding-10-percent” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”left” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” el_class=”col-izquierda” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text el_class=”titulo-1″]\n
Jolivet, A.<\/strong><\/h5>\n[\/vc_column_text][vc_column_text el_class=”repertorio-obra”]\n
Concerto for Flute and String Orchestra<\/em><\/h5>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-10-percent” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”left” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” el_class=”col-derecha” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text el_class=”titulo-1″]\n
Devienne, F.<\/strong><\/h5>\n[\/vc_column_text][vc_column_text el_class=”repertorio-obra”]\n
Concerto No. 2 in D Major<\/em><\/h5>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” text_align=”left” class=”repertorio-margin”][vc_column_inner column_padding=”padding-10-percent” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”left” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” el_class=”col-izquierda” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text el_class=”titulo-1″]\n
Nielsen, C.<\/strong><\/h5>\n[\/vc_column_text][vc_column_text el_class=”repertorio-obra”]\n
Concerto\u00a0<\/em><\/h5>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-10-percent” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”left” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” el_class=”col-derecha” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text el_class=”titulo-1″]\n
Quantz, J. J.<\/strong><\/h5>\n[\/vc_column_text][vc_column_text el_class=”repertorio-obra”]\n
Concerto in G Major, QV 5:174<\/em><\/h5>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” text_align=”left” class=”repertorio-margin”][vc_column_inner column_padding=”padding-10-percent” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”left” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” el_class=”col-izquierda” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text el_class=”titulo-1″]\n
Reinecke, C.<\/strong><\/h5>\n[\/vc_column_text][vc_column_text el_class=”repertorio-obra”]\n
Concerto\u00a0<\/em><\/h5>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-10-percent” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”left” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” el_class=”col-derecha” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text el_class=”titulo-1″]\n
Romberg, B.<\/strong><\/h5>\n[\/vc_column_text][vc_column_text el_class=”repertorio-obra”]\n
Concerto\u00a0<\/em><\/h5>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” text_align=”left” class=”repertorio-margin”][vc_column_inner column_padding=”padding-10-percent” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”left” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” el_class=”col-izquierda” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text el_class=”titulo-1″]\n
Mozart, W. A.<\/strong><\/h5>\n[\/vc_column_text][vc_column_text el_class=”repertorio-obra”]\n
Concerto in D Major Kv.314<\/em><\/h5>\n[\/vc_column_text][vc_column_text el_class=”repertorio-obra”]\n
Concerto in G Major Kv.313<\/em><\/h5>\n[\/vc_column_text][vc_column_text el_class=”repertorio-obra”]\n
Andante In C K315<\/em><\/h5>\n[\/vc_column_text][vc_column_text el_class=”repertorio-obra”]\n
Rondo in D Major Kv. 373 (184 Anh.)
\n<\/em><\/h5>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-10-percent” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”left” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” el_class=”col-derecha” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text el_class=”titulo-1″]\n
Mercadante, S.<\/strong><\/h5>\n[\/vc_column_text][vc_column_text el_class=”repertorio-obra”]\n
Concerto in E minor<\/em><\/h5>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” text_align=”left” class=”repertorio-margin”][vc_column_inner column_padding=”padding-10-percent” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”left” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” el_class=”col-izquierda” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text el_class=”titulo-1″]\n
Stamitz, C.<\/strong><\/h5>\n[\/vc_column_text][vc_column_text el_class=”repertorio-obra”]\n
Concerto in G Major<\/em><\/h5>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/tab][tab icon_family=”none” title=”Flute and piano\/harpsichord” id=”1787958887679-1″ tab_id=”1787958887679-6″ el_class=”tab-repertorio”][divider line_type=”No Line” custom_height=”30″][vc_row_inner column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” text_align=”left” class=”repertorio-margin”][vc_column_inner column_padding=”padding-10-percent” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”left” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” el_class=”col-izquierda” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text el_class=”titulo-1″]\n
Bach, C. P. E.<\/strong><\/h5>\n[\/vc_column_text][vc_column_text el_class=”repertorio-obra”]\n
Sonatas<\/em><\/h5>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-10-percent” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”left” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” el_class=”col-derecha” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text el_class=”titulo-1″]\n
Bach, J. S.<\/strong><\/h5>\n[\/vc_column_text][vc_column_text el_class=”repertorio-obra”]\n
Sonatas<\/em><\/h5>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” text_align=”left” class=”repertorio-margin”][vc_column_inner column_padding=”padding-10-percent” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”left” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” el_class=”col-izquierda” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text el_class=”titulo-1″]\n
Boehm, T.<\/strong><\/h5>\n[\/vc_column_text][vc_column_text el_class=”repertorio-obra”]\n
Grand Polonaise<\/em><\/h5>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-10-percent” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”left” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” el_class=”col-derecha” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text el_class=”titulo-1″]\n
Bonis, M.<\/strong><\/h5>\n[\/vc_column_text][vc_column_text el_class=”repertorio-obra”]\n
Sonatas<\/em><\/h5>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” text_align=”left” class=”repertorio-margin”][vc_column_inner column_padding=”padding-10-percent” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”left” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” el_class=”col-izquierda” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text el_class=”titulo-1″]\n
Borne, F.<\/strong><\/h5>\n[\/vc_column_text][vc_column_text el_class=”repertorio-obra”]\n
Sonatas<\/em><\/h5>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-10-percent” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”left” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” el_class=”col-derecha” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text el_class=”titulo-1″]\n
Caplet, A.<\/strong><\/h5>\n[\/vc_column_text][vc_column_text el_class=”repertorio-obra”]\n
R\u00eaverie et Petite Valse<\/em><\/h5>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” text_align=”left” class=”repertorio-margin”][vc_column_inner column_padding=”padding-10-percent” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”left” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” el_class=”col-izquierda” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text el_class=”titulo-1″]\n
Dutilleux, H.<\/strong><\/h5>\n[\/vc_column_text][vc_column_text el_class=”repertorio-obra”]\n
Sonatine<\/em><\/h5>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-10-percent” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”left” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” el_class=”col-derecha” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text el_class=”titulo-1″]\n
Enesco, G.<\/strong><\/h5>\n[\/vc_column_text][vc_column_text el_class=”repertorio-obra”]\n
Cantabile et Presto<\/em><\/h5>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” text_align=”left” class=”repertorio-margin”][vc_column_inner column_padding=”padding-10-percent” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”left” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text el_class=”titulo-1″]\n
Faur\u00e9, G.<\/strong><\/h5>\n[\/vc_column_text][vc_column_text el_class=”repertorio-obra”]\n
Fantasie<\/em><\/h5>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-10-percent” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”left” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” el_class=”col-derecha” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text el_class=”titulo-1″]\n
Franck, C.<\/strong><\/h5>\n[\/vc_column_text][vc_column_text el_class=”repertorio-obra”]\n
Violin Sonata in A Major<\/em><\/h5>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” text_align=”left” class=”repertorio-margin”][vc_column_inner column_padding=”padding-10-percent” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”left” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” el_class=”col-izquierda” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text el_class=”titulo-1″]\n
Gaubert, P.<\/strong><\/h5>\n[\/vc_column_text][vc_column_text el_class=”repertorio-obra”]\n
1st Sonata\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/em><\/h5>\n[\/vc_column_text][vc_column_text el_class=”repertorio-obra”]\n
3th Sonata<\/em><\/h5>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-10-percent” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”left” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” el_class=”col-derecha” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text el_class=”titulo-1″]\n
Gianneo, L.<\/strong><\/h5>\n[\/vc_column_text][vc_column_text el_class=”repertorio-obra”]\n
Sonata<\/em><\/h5>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” text_align=”left” class=”repertorio-margin”][vc_column_inner column_padding=”padding-10-percent” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”left” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text el_class=”titulo-1″]\n
Hindemith, P.<\/strong><\/h5>\n[\/vc_column_text][vc_column_text el_class=”repertorio-obra”]\n
Sonatas<\/em><\/h5>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-10-percent” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”left” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” el_class=”col-derecha” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text el_class=”titulo-1″]\n
Ibert, J.<\/strong><\/h5>\n[\/vc_column_text][vc_column_text el_class=”repertorio-obra”]\n
Jeux, Sonatine pour Fl\u00fbte et Piano<\/em><\/h5>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” text_align=”left” class=”repertorio-margin”][vc_column_inner column_padding=”padding-10-percent” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”left” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” el_class=”col-izquierda” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text el_class=”titulo-1″]\n
Jolivet, A.<\/strong><\/h5>\n[\/vc_column_text][vc_column_text el_class=”repertorio-obra”]\n
Chant de Linos<\/em><\/h5>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-10-percent” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”left” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” el_class=”col-derecha” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text el_class=”titulo-1″]\n
Kelterborn, R.<\/strong><\/h5>\n[\/vc_column_text][vc_column_text el_class=”repertorio-obra”]\n
\u201cSeven minute Play\u201d (1976)<\/em><\/h5>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” text_align=”left” class=”repertorio-margin”][vc_column_inner column_padding=”padding-10-percent” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”left” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text el_class=”titulo-1″]\n
Poulenc, F.<\/strong><\/h5>\n[\/vc_column_text][vc_column_text el_class=”repertorio-obra”]\n
Sonata<\/em><\/h5>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-10-percent” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”left” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” el_class=”col-derecha” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text el_class=”titulo-1″]\n
Prokofiev, S.<\/strong><\/h5>\n[\/vc_column_text][vc_column_text el_class=”repertorio-obra”]\n
Sonata in D Major Op. 94<\/em><\/h5>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” text_align=”left” class=”repertorio-margin”][vc_column_inner column_padding=”padding-10-percent” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”left” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” el_class=”col-izquierda” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text el_class=”titulo-1″]\n
Leclair, J. M.<\/strong><\/h5>\n[\/vc_column_text][vc_column_text el_class=”repertorio-obra”]\n
Sonata No. 1 in e-minor<\/em><\/h5>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-10-percent” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”left” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” el_class=”col-derecha” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text el_class=”titulo-1″]\n
Martin, F.<\/strong><\/h5>\n[\/vc_column_text][vc_column_text el_class=”repertorio-obra”]\n
Ballade<\/em><\/h5>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” text_align=”left” class=”repertorio-margin”][vc_column_inner column_padding=”padding-10-percent” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”left” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text el_class=”titulo-1″]\n
Kuhlau, F.<\/strong><\/h5>\n[\/vc_column_text][vc_column_text el_class=”repertorio-obra”]\n
6 Variations on \u201cEuryanthe\u201d Op.63<\/em><\/h5>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-10-percent” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”left” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” el_class=”col-derecha” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text el_class=”titulo-1″]\n
Lasala, A.<\/strong><\/h5>\n[\/vc_column_text][vc_column_text el_class=”repertorio-obra”]\n
\u201cPoema del pastor coya\u201d<\/em><\/h5>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” text_align=”left” class=”repertorio-margin”][vc_column_inner column_padding=”padding-10-percent” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”left” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” el_class=”col-izquierda” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text el_class=”titulo-1″]\n
Roussel, A.<\/strong><\/h5>\n[\/vc_column_text][vc_column_text el_class=”repertorio-obra”]\n
Joueurs de Fl\u00fbte<\/em><\/h5>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-10-percent” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”left” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” el_class=”col-derecha” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text el_class=”titulo-1″]\n
Sancan, P.<\/strong><\/h5>\n[\/vc_column_text][vc_column_text el_class=”repertorio-obra”]\n
Sonatine<\/em><\/h5>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” text_align=”left” class=”repertorio-margin”][vc_column_inner column_padding=”padding-10-percent” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”left” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” el_class=”col-izquierda” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text el_class=”titulo-1″]\n
Schubert, F.<\/strong><\/h5>\n[\/vc_column_text][vc_column_text el_class=”repertorio-obra”]\n
Duo Sonata in A Major, Op. 162, D. 574<\/em><\/h5>\n[\/vc_column_text][vc_column_text el_class=”repertorio-obra”]\n
Introduction and Variation on Trockne Blumen from \u201cDie sch\u00f6ne Mullerin\u201d Op. 160, D, 802<\/em><\/h5>\n[\/vc_column_text][vc_column_text el_class=”repertorio-obra”]\n
Sonata in a-moll \u201cArpeggione\u201d D.281<\/em><\/h5>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-10-percent” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”left” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” el_class=”col-derecha” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text el_class=”titulo-1″]\n
Schulhoff, E.<\/strong><\/h5>\n[\/vc_column_text][vc_column_text el_class=”repertorio-obra”]\n
Sonata<\/em><\/h5>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” text_align=”left” class=”repertorio-margin”][vc_column_inner column_padding=”padding-10-percent” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”left” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” el_class=”col-izquierda” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text el_class=”titulo-1″]\n
Schumann, R.<\/strong><\/h5>\n[\/vc_column_text][vc_column_text el_class=”repertorio-obra”]\n
Three Romances<\/em><\/h5>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-10-percent” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”left” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” el_class=”col-derecha” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text el_class=”titulo-1″]\n
Taffanel, P.<\/strong><\/h5>\n[\/vc_column_text][vc_column_text el_class=”repertorio-obra”]\n
Fantaisie sur “Le Freisch\u00fctz”<\/em><\/h5>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” text_align=”left” class=”repertorio-margin”][vc_column_inner column_padding=”padding-10-percent” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”left” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” el_class=”col-izquierda” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text el_class=”titulo-1″]\n
Widor, Ch. M.<\/strong><\/h5>\n[\/vc_column_text][vc_column_text el_class=”repertorio-obra”]\n
Suite op.34<\/em><\/h5>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/tab][tab icon_family=”none” title=”Flute solo” id=”1787958887836-2″ tab_id=”1787958887836-1″ el_class=”tab-repertorio”][divider line_type=”No Line” custom_height=”30″][vc_row_inner column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” text_align=”left” class=”repertorio-margin”][vc_column_inner column_padding=”padding-10-percent” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”left” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” el_class=”col-izquierda” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text el_class=”titulo-1″]\n
Bach, C. Ph. E.<\/strong><\/h5>\n[\/vc_column_text][vc_column_text el_class=”repertorio-obra”]\n
Sonata in a minor<\/em><\/h5>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-10-percent” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”left” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” el_class=”col-derecha” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text el_class=”titulo-1″]\n
Bach, J.S.<\/strong><\/h5>\n[\/vc_column_text][vc_column_text el_class=”repertorio-obra”]\n
Partita<\/em><\/h5>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” text_align=”left” class=”repertorio-margin”][vc_column_inner column_padding=”padding-10-percent” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”left” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” el_class=”col-izquierda” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text el_class=”titulo-1″]\n
Bozza, E.<\/strong><\/h5>\n[\/vc_column_text][vc_column_text el_class=”repertorio-obra”]\n
\u201cImage\u201d<\/em><\/h5>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-10-percent” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”left” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” el_class=”col-derecha” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text el_class=”titulo-1″]\n
Debussy, C.<\/strong><\/h5>\n[\/vc_column_text][vc_column_text el_class=”repertorio-obra”]\n
\u201cSyrinx\u201d<\/em><\/h5>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” text_align=”left” class=”repertorio-margin”][vc_column_inner column_padding=”padding-10-percent” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”left” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” el_class=”col-izquierda” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text el_class=”titulo-1″]\n
Delgado, A.<\/strong><\/h5>\n[\/vc_column_text][vc_column_text el_class=”repertorio-obra”]\n
\u201cThe Panic Flirt\u201d (1994)<\/em><\/h5>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-10-percent” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”left” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” el_class=”col-derecha” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text el_class=”titulo-1″]\n
Dohnanyi, E. Von<\/strong><\/h5>\n[\/vc_column_text][vc_column_text el_class=”repertorio-obra”]\n
Passacaglia Op. 48 Nr. 2<\/em><\/h5>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” text_align=”left” class=”repertorio-margin”][vc_column_inner column_padding=”padding-10-percent” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”left” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” el_class=”col-izquierda” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text el_class=”titulo-1″]\n
Dusapin, P.<\/strong><\/h5>\n[\/vc_column_text][vc_column_text el_class=”repertorio-obra”]\n
\u201cIci\u201d (1986)<\/em><\/h5>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-10-percent” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”left” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” el_class=”col-derecha” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text el_class=”titulo-1″]\n
Firsova, Elena<\/strong><\/h5>\n[\/vc_column_text][vc_column_text el_class=”repertorio-obra”]\n
Two Inventions<\/em><\/h5>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” text_align=”left” class=”repertorio-margin”][vc_column_inner column_padding=”padding-10-percent” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”left” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” el_class=”col-izquierda” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text el_class=”titulo-1″]\n
Halffter, C.<\/strong><\/h5>\n[\/vc_column_text][vc_column_text el_class=”repertorio-obra”]\n
\u201cDebla\u201d (1930)<\/em><\/h5>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-10-percent” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”left” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” el_class=”col-derecha” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text el_class=”titulo-1″]\n
Holliger, H.<\/strong><\/h5>\n[\/vc_column_text][vc_column_text el_class=”repertorio-obra”]\n
\u201c(t)air(e)\u201d\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/em><\/h5>\n[\/vc_column_text][vc_column_text el_class=”repertorio-obra”]\n
\u201c(\u00e9)cri(t)\u201d<\/em><\/h5>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” text_align=”left” class=”repertorio-margin”][vc_column_inner column_padding=”padding-10-percent” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”left” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” el_class=”col-izquierda” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text el_class=”titulo-1″]\n
Honneger, A.<\/strong><\/h5>\n[\/vc_column_text][vc_column_text el_class=”repertorio-obra”]\n
\u201cDanse de la Ch\u00e8vre\u201d<\/em><\/h5>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-10-percent” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”left” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” el_class=”col-derecha” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text el_class=”titulo-1″]\n
Hurel, P.<\/strong><\/h5>\n[\/vc_column_text][vc_column_text el_class=”repertorio-obra”]\n
Loops I (1999)<\/em><\/h5>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” text_align=”left” class=”repertorio-margin”][vc_column_inner column_padding=”padding-10-percent” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”left” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” el_class=”col-izquierda” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text el_class=”titulo-1″]\n
Ibert, J.<\/strong><\/h5>\n[\/vc_column_text][vc_column_text el_class=”repertorio-obra”]\n
Pi\u00e8ce<\/em><\/h5>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-10-percent” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”left” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” el_class=”col-derecha” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text el_class=”titulo-1″]\n
Karg-Elert, S.<\/strong><\/h5>\n[\/vc_column_text][vc_column_text el_class=”repertorio-obra”]\n
Sonata \u201cAppassionata\u201d<\/em><\/h5>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” text_align=”left” class=”repertorio-margin”][vc_column_inner column_padding=”padding-10-percent” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”left” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” el_class=”col-izquierda” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text el_class=”titulo-1″]\n
Koechlin, Ch.<\/strong><\/h5>\n[\/vc_column_text][vc_column_text el_class=”repertorio-obra”]\n
\u201cLes Chants de Nectaire\u201d<\/em><\/h5>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-10-percent” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”left” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” el_class=”col-derecha” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text el_class=”titulo-1″]\n
Kuhlau, F.<\/strong><\/h5>\n[\/vc_column_text][vc_column_text el_class=”repertorio-obra”]\n
Three Fantasies op. 38<\/em><\/h5>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” text_align=”left” class=”repertorio-margin”][vc_column_inner column_padding=”padding-10-percent” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”left” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” el_class=”col-izquierda” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text el_class=”titulo-1″]\n
Marais, M.<\/strong><\/h5>\n[\/vc_column_text][vc_column_text el_class=”repertorio-obra”]\n
\u201cLes Folies d\u2019Espagne\u201d<\/em><\/h5>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-10-percent” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”left” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” el_class=”col-derecha” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text el_class=”titulo-1″]\n
Piazzolla, A.<\/strong><\/h5>\n[\/vc_column_text][vc_column_text el_class=”repertorio-obra”]\n
Seis estudios tangu\u00edsticos<\/em><\/h5>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” text_align=”left” class=”repertorio-margin”][vc_column_inner column_padding=”padding-10-percent” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”left” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” el_class=”col-izquierda” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text el_class=”titulo-1″]\n
Sciarrino, S.<\/strong><\/h5>\n[\/vc_column_text][vc_column_text el_class=”repertorio-obra”]\n
“L\u2019autostrada prima di Babilonia”<\/em><\/h5>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-10-percent” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”left” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” el_class=”col-derecha” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text el_class=”titulo-1″]\n
Takemitsu, T.<\/strong><\/h5>\n[\/vc_column_text][vc_column_text el_class=”repertorio-obra”]\n
Itinerant (1989)<\/em><\/h5>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” text_align=”left” class=”repertorio-margin”][vc_column_inner column_padding=”padding-10-percent” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”left” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” el_class=”col-izquierda” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text el_class=”titulo-1″]\n
Telemann, G. P.<\/strong><\/h5>\n[\/vc_column_text][vc_column_text el_class=”repertorio-obra”]\n
12 Fantasies<\/em><\/h5>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-10-percent” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”left” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” el_class=”col-derecha” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text el_class=”titulo-1″]\n
Var\u00e8se, E.<\/strong><\/h5>\n[\/vc_column_text][vc_column_text el_class=”repertorio-obra”]\n
Density 21.5<\/em><\/h5>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” text_align=”left” class=”repertorio-margin”][vc_column_inner column_padding=”padding-10-percent” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”left” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” el_class=”col-izquierda” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text el_class=”titulo-1″]\n
Yun, I.<\/strong><\/h5>\n[\/vc_column_text][vc_column_text el_class=”repertorio-obra”]\n
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Concierto junto a Dar\u00edo Barozzi.” cta_1_text=”Join Now” icon_iconsmind=”iconsmind-Dry” url=”#”][nectar_horizontal_list_item columns=”3″ column_layout_using_3_columns=”large_middle” col_1_text_align=”left” col_2_text_align=”left” col_3_text_align=”right” col_1_text_element=”h3″ col_2_text_element=”p” col_3_text_element=”h4″ font_family=”p” open_new_tab=”true” hover_effect=”full_border” hover_color=”accent-color” border_radius=”none” icon_family=”iconsmind” icon_size=”large” col_1_content=”Oct-Nov 2026″ col_2_content=”31 de octubre y 1ero noviembre: Concierto junto al Ensamble ArtHaus” cta_1_text=”Join Now” icon_iconsmind=”iconsmind-Dry” url=”#”][nectar_horizontal_list_item columns=”3″ column_layout_using_3_columns=”large_middle” col_1_text_align=”left” col_2_text_align=”left” col_3_text_align=”right” col_1_text_element=”h3″ col_2_text_element=”p” col_3_text_element=”h4″ font_family=”p” open_new_tab=”true” hover_effect=”full_border” hover_color=”accent-color” border_radius=”none” 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col_2_content=”\u201cUna flauta, infinitas voces\u201d seminario intensivo” cta_1_text=”Join Now” icon_iconsmind=”iconsmind-Dry” url=”https:\/\/amaliaperez.com.ar\/wp-content\/uploads\/2026\/08\/JULIO-Una-flauta-infinitas-voces-seminario-intensivo.jpg”][nectar_horizontal_list_item columns=”3″ column_layout_using_3_columns=”large_middle” col_1_text_align=”left” col_2_text_align=”left” col_3_text_align=”right” col_1_text_element=”h3″ col_2_text_element=”p” col_3_text_element=”h4″ font_family=”p” open_new_tab=”true” hover_effect=”full_border” hover_color=”accent-color” border_radius=”none” icon_family=”iconsmind” icon_size=”large” col_1_content=”May 2026″ col_2_content=”Teatro Col\u00f3n, concierto junto a Fernando P\u00e9rez” cta_1_text=”Join Now” icon_iconsmind=”iconsmind-Dry” url=”https:\/\/teatrocolon.org.ar\/produccion\/amalia-perez-y-fernando-perez\/”][nectar_horizontal_list_item columns=”3″ column_layout_using_3_columns=”large_middle” col_1_text_align=”left” col_2_text_align=”left” 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shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”64″ custom_height_tablet=”64″][vc_column_text el_class=”titulo-seccion”]\n

Press<\/h2>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”16″ custom_height_tablet=”8″][vc_row_inner column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]30\/08\/2020[\/vc_column_text][vc_custom_heading text=”La Naci\u00f3n” font_container=”tag:div|text_align:left” el_class=”prensa-diario”][vc_column_text]Cuatro caminos hacia sonidos extraordinarios<\/p>\n

\u2014 Juan Cruz S\u00e1nchez Mari\u00f1o[\/vc_column_text][nectar_btn size=”small” open_new_tab=”true” button_style=”regular” button_color_2=”Accent-Color” icon_family=”none” text=”Read more” url=”https:\/\/www.lanacion.com.ar\/lifestyle\/cuatro-caminos-hacia-sonidos-extraordinarios-nid1966665\/”][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]19\/03\/2023[\/vc_column_text][vc_custom_heading text=”Clar\u00edn” font_container=”tag:div|text_align:left” el_class=”prensa-diario”][vc_column_text]El centro ArtHaus inaugur\u00f3 su primera temporada de conciertos con el lanzamiento de un ensamble propio<\/p>\n

\u2014 Laura Novoa[\/vc_column_text][nectar_btn size=”small” open_new_tab=”true” button_style=”regular” button_color_2=”Accent-Color” icon_family=”none” text=”Read more” url=”https:\/\/www.clarin.com\/espectaculos\/musica\/centro-arthaus-inauguro-primera-temporada-conciertos-lanzamiento-ensamble-propio_0_AmfQHhZ49X.html”][\/vc_column_inner][\/vc_row_inner][vc_row_inner column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]14\/01\/2026[\/vc_column_text][vc_custom_heading text=”Badajoz” font_container=”tag:div|text_align:left” el_class=”prensa-diario”][vc_column_text]M\u00fasica argentina en la Diputaci\u00f3n de Badajoz<\/p>\n

\u2014 Hojas de \u00e1lbum[\/vc_column_text][nectar_btn size=”small” open_new_tab=”true” button_style=”regular” button_color_2=”Accent-Color” icon_family=”none” text=”Read more” url=”https:\/\/www.lacronicabadajoz.com\/badajoz\/2026\/01\/14\/musica-argentina-diputacion-badajoz-125659371.html”][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]13\/01\/2023[\/vc_column_text][vc_custom_heading text=”Infobae” font_container=”tag:div|text_align:left” el_class=”prensa-diario”][vc_column_text]El d\u00fao argentino Amalia P\u00e9rez y Dar\u00edo Barozzi abre este mi\u00e9rcoles el XXVI Ciclo de Hojas de \u00c1lbum en Badajoz<\/p>\n

\u2014 Newsroom Infobae[\/vc_column_text][nectar_btn size=”small” open_new_tab=”true” button_style=”regular” button_color_2=”Accent-Color” icon_family=”none” text=”Read more” url=”https:\/\/www.infobae.com\/america\/agencias\/2026\/01\/13\/el-duo-argentino-amalia-perez-y-dario-barozzi-abre-este-miercoles-el-xxvi-ciclo-de-hojas-de-album-en-badajoz\/”][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”64″ custom_height_tablet=”32″][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"

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